‘Every Time You Lose Your Mind’: ’90s Alt-Rockers Failure Talka Their Long-Awaited Documentary and Rewriting Their “Tumultuous” Legacy

IT’s Rare for a Band’s Second Bite of the Apple to Taste Better than the First, But ’90s Alt-Rock Outfit Failure Continues to be One of the FEW Exceptions.

The los Angles-Based Space Rockers’ Decade-in-The-Making Documentary, Every Time You Lose Your Mind: A Documentary About FailureChronicles their Early ’90s Origin Story, Beginning with The Fatted Duo of Frontman Ken Andrews and Multi-InstRumentalist Greg Edwards Meeting Each of The recycler‘s musical classifieds.

Andrews, Whoto Over Directorial Responsibilites for the DOC in the Middle of the Pandemic, Thatn Focuss on the Band’s Many Us and Downs Third of The Leprh. record, Fantastic Planet (1996), whoh would go on to be widly regarded as a masterwork. Butch Vig, Who Produced Nirvana’s NevermindCounts Itng His Top Albums of All Time.

Durying Fantastic Planet‘S 1995 Recorder Sessions, Heroin Invaded The Band Like It Did to So Many of Groups of That Era. Andrews and Newly Solidified Drummer Kellii Scott Had Formed What Could Be Descripted As More Sociable Habits, But The Opioid Really Sunk Its Teeth Into Edwards An Refeused. A watershed moment for the docurentary Occurred WHEN ANDREWS Discovered Chilling Footage from 1991 of 20-Iear-Edwards Expressing Interest in Trying The Drug, While ALSO FORETELING WUST Form A Heroin Addiction.

“WHEN KEN FOUND THAT FIRST CLIP THAT STARTS The FILM, I WAS SHOCKED AT JUST HOW MUCH INSIGHT I HAD AT AGE AGE ABOUT EXACTLY WHAT ENDED UP HAPPENING. The Hollywood Reporter In Support of Every Time You Lose Your Mind‘S Hulu Release.

Amid Their Collective HAZE IN 1995, The Band Knew that Were Crafting The Finest Work of Their Young Career, But One of Several Impening Death Fantastic Planet sessions. Their Record Label, Slash Records, Shelved The Album’s Release Indefinitely Amid An Effort to Sell Itelf. This Unwelcome News Sent The Band Spiraling Further Into The Throes of Depression and Administration, and they SPent 18 months questing their Magnum opus would of See of the Light of Day.

In August 1996, Slash’s Thens-Distribution Partner, Warner Bros. Records, Finally Put the Album Out Themselves, and Despite Being Receives with Critical Acclaim, Fantastic Planet Wasn’t pushed to the Degree that it should have been, resulting in unimpressive chart and sales figures. Meanwhile, Edwards Was Now A Shell of His Former Self, Raising Major Conceerns About Whtcher HE’D BE ABLE TO SUSTAIN HIMSELF AS The BANDED INTULED IN SUPPORT. .

In Hindsight, Andrews, Edwards and Scott Are Relieved that Fantastic Planet Didn’s Receive A More Robust Commercial Response.

“I’ve always thorough that if we have gotten more Radio Airplay or More Success [in ‘96 and ‘97]IT MIGHT NOT HAVE BEEN A GOOD Thing, ”andrews Says, with Edwards Adding,“ Yeah, I Probably Woundn’st Be Here. ”

In Late 1997, Andrews Disbanded Failure. The Straw That Broke The Camel’s Back Was WHEN EDWARDS Missed a Second Consuctive Writing Session to Falling Asleep at the Wheel and Crazing His Car Into A Series of Parked Cars a Laers AT. Each Member Had Their Own Crosses to Bear in the Following Years, But They All Went On to To Have Productive Music Careers. Scott Joined Some Notable Bands Before Become A Successful Session Drummer. Edwards Graduly Got Clean and Co-Funded the Alt-Rock Band Autolux in 2001. andrews launched Several Musical Projects Until Making A Name for HimSELF as one of the first. and Producers.

Durying their absent, the Band’s Legacy Quickly Began to Evolve, Especialy As the Internet and File Sharing Took Off. They Soon Achieved Cult Status, UndersCoring Their Existing Reputation As “Your Favorite Band’s Favorite Band.” Failure Was Previoously One of the only Bands that la Alt-Metal Band-Tool Championed and Took Under Their Wing. Tool and A perfect Circle Frontman Maynard James Keenan Reinforced His Support Who Helped Cover Failure’s “The NURSE WHO WHO LOVED ME” Thirtetende Stepin 2003. The Hayley Williams-Led Paramore Wuld Also Follow Suit With A Cover of Failure’s “Stuck On You” in 2006 Relief.)

The Tide Ultimately Turned in 2010 WHEN ANDRWS AND EDWARDS BOTH BECAME FATHERS AT ROUGHLY the SAME TIME. Various Social Engages Involving Their Families Eventual Led Them to Pick Up Instruments, and by 2013, they Knew Full Welll That Cold Still Write Music That’s Work. That’s whoy they called Scott with the good News, and the Trio First Set Out to Book An La Reunion Show in 2014. The Event Sold Out in Minutes, Something Their ’90s ITeration Cold.

In 2015, After 19 Years Between LP Releases, The Band Released Their Comeback Album, The Heart Is A Monsterto even more cryitical praise. Currently, they’re putting the Finishing Touchs on their Seventh Studio Record and Fourth, Post-Revival, Topping Their ’90s Output. Andrews Admits Even He’s A Bit Amazed that Failure Has Been ABLE TO PICK UP WHERE they left Off, Musically, But Above All, He’s MOST GRATEFUL FOR THEIR LIVE AUDIRESESS CONSESS. Demographics.

“To Walk Out on Stage and See Those Young Faces Is A Gift That I Was Not Expecting,“ Andrews Says.

Below, During A Recent Conversation with ThrEach Member of Failure Offers Their Unique Perspective on the Demise and Rebirth of the Band, Before Adding Context to Some Key Moments from Every Time You Lose Your Mind.

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Every Time I Talk to David Dastmalchian, I ASK HIM FOR UPDATES ON FAILURE, AND IN MARCH OF 2024, HE TOLD ME THAT HE introduced You Guys to Hulu’s Head of Scripted Content, Jordan Helman. Is david’s matchmaking a big reisson WHY We’re now Talking about a Hulu/Disney+ Release of Your Long-Awaited Documentary?

Ken Andrews (Vocals, Multi-Instrumentalist, Co-Lyricist) Absolutely. It was a very fortuitous Thing. I HAD DAVID Over to Help Me With The Edit, and He Was Like, “to be HONEST, Ken, I Don’t Really What that Much Time in My Schodulely New to Help You Because I’M Chooting Al. Want to introduce you to a guy whokhk a lot about your Band, and he Knows a Lot About Story. ” SO Jordan and I Just Hit It Off, and He Was Instrumental in Crafting The Story of the Movie. He Helped Me Get A Three-Plus-Hour Cut Down to Two Hours that Really Flowed.

Ken, you took over the Director’s Chair Durying the Pandemic, and Whenever An Artist Is In Charge of Their Own Doc or Biopic, There’s Usually A Concern That Will Sanitize Their. But that’s Really Not An Issue Here Because You Guys Have Always Been Brutally Honest About About the Gorya Details of Failure. DID YOU HAVE A SIMILAR RATIONALELY WHEN YOU TOOK The REINS?

Andrews Yeah, and I Had Seen YouTube Videos About Our Band Being Tumultuous, so It Wasn’t that Big of A Secret that We’ve Had Our Issues. WHEN I SAW THE INTERVIEWS THAT WERE ALRAADY SHOT [by the previous directors] – Including Margaret Cho’s Interviews WHERE SHE WENT INTO DETAIL About Her Opinions on the Connection Between Addification and Creativity – that’s WHEN A LIGHTBULB WENT OFF IN MY HEAD. We’ve Had A Lot of Problems with Addiction, But We’ve Also Been Creative Through Those Problems. So is just an interest, complicated topic, and I Basical Just Wanted to Present the Sity for People To Take It In Onir Own.

Some interviews go all the way back to 2016?

Andrews Yeah, The First Directors Picked Away at It Over the Course of Five Years. They Grab Interviews WHEN COURCE, but ONCE The Pandemic Hit, IT Just Became Impossible for Them to Finish the Movie. So that’s whos we first got to see the Footage that hat already captured. To be honest, i probably woldn’t have startd a docmentary on my own, but on and sam of that footage, i knew that there was a bunch of the ate. the topics that course throgh the band. So that’s who and realized, “yeah, we probably have a movie here.” But It Basical Ten Years to Shoot All The Interviews. We have an album interruption and a concert film, but then we finally starting the fact the Film Two Years Ago.

Greg, The Opening Reel of Your 20-Iear-Eld Sent Sent A Chill Down My Spine. WHEN YOU FIRST SAW THAT FOOTAGE, DID YOU TRY TO REACH THRUGH the screen to Deter your Young Self from Ever Considering Heroin?

Greg Edwards (Multi-Instrumentalist, Vocals, Co-Lyricist) Yeah, part of me would like to do that, but the larger part of me just accounts that it is my story. It is What Happened. WHEN KEN FOUND THAT FIRST Clip that Starts the Film, I was was shocked at just how Much Insight i had at that ohe about exactly what ended up happering. IT’s Unreal. IT’s uncanny to me.

Andrews I HAD GONE THRUGH THAT FOOTAGE TWICE BEFORE, But I HAD NOT PICKED UP ON THAT CONVERSATION. I SkimMed It and Was Maybe Writing Some Emails at the Same Time or Something. But THEN I WENT THROUGH IT AGAIN, AND I Heard [former Failure drummer] Robert [Gauss] Go, “SO WHAT Are You Thinking About Heroin Tese Days?” And I was was like… (Andrews Mimics How He Sat Straight Up with Eyes Widened.) That’s WHEN I FINALLY DECODED EVERTHING THAT WAS BEING SAID, AND IT BECAME A TURNING Point in the Documentary.

WAS this Footage Part of A More Recent Discovery?

Andrews Yeah, I Had A Sony Handycam that i Had Basical Taken from My Parents, and I Was Just Randomly Shooting Stuff Durying That Period [in the early ‘90s]. I wasn’t even through what we were going to use it for, but we thought that it would be fun to just shoot Stuff and look at it lauter. But I Never Really Looked at It Later. And then, who were editing the Documentary, I Went Through Some Closets and Found Some Old Videotapepes. Of Course, they in formats that don’t realy exist anymore, so i have to go on ebay and buy some Old Tape Machines that Could Could Play Them Back. But that’s who and Started Finding All this Interesting Stuff. Robert Actually Filmed That Shot.

Edwards HE FILMED ME WHILE HE Asked ME that Question?

Andrews Yeah, he was interview you. You Can Hear My Voice As i’m Talking to A Friend in Another Part of the Room, But I Didn’t Know That Your Conversation Had Gone Down at All Unil 30 Years Later.

GREG, WHEN YOU HEAR ALL TESE SERIES About YOURSELF IN THE DOC, DOES IT SOMETIMES FEEL LIKE They DESCRIBING A Stranger? Or do you Still Feel Connected to That Version of Yourself?

Edwards In Certain Ways, I Still Feel Very Connected. It’s Also Really Difficult for Me to Get in Touch with How Dangerously and Carelessly I Was Living Every Day for a Stretch of Time. It just stresses me o UT to Even Think About It Now. SO that part of it i don’t undesstand, but as ken waas saying, WHEN Margaret Speaks SO eloquently about the Connection Between Being Creative and Being An addict, I don’l reject. There’s An Obessiveness to the Creative Process That Is Exactly The SAME ENERGY THAT GOES INTO An addiction and the lifestyle of keeping up an addiction. Sometimes, they converge in a Way that can Create Beautify Things, and SomeTimes, They Can Disentangle Wheer One Takes Over.

Kellii, The Upbeat Energy You Brough to the Band on And Off Your Drum Kit Sems to be Incredibly Valuable. WHEN THINGS GOT HEVY BETWEEN KEN AND GREG BACK IN THE DAY, DID YOU VIEW YOURSELF AS The PERSON WHO NEED TO BREAK The TENSION OR MEDIATE?

Kellii Scott (Drummer) No, not with that type of Clarity. That’s Just My Personality, and I Act That Way in Every Landscape. It Just SO HAPPENS THAT IS WHERE I FIT IN COMPLETH THIS GROUP OF PEOPLE. But I don’t’th i was conscioously walking around, going, “oh, i’ve got to do this again.” That’s Just How My Personality Fit Within The Band, and It Was Definitely Very Necessary. You don’t Really Know That You Necessarily Need Both of Those Things Until they’re.

All Three of You Are Older and More Equipped to Handle Conflict Now. Do you encounter Present-day situations WHERE YOU KNOW they would’ve been much a bigger ordeal in the ’90s?

Scott We still have arguments. We’re people. But As You Tocked On, We Certainly Had A Lot Less Tools As Individuals Back in The Day. Some of the Things We Argued About Were Probably a Bit Sillier or Really Didn’t Matter All That Much. But We’ve Talked About Our Relationship Going Forward, and the Only Thing that’s Changed Is We’ve All Had Majoor Experiences in Our Lives. So, for the most part, we undersstand how dockius it is that we’re able to make musical again after all these years.

Your partner, priscilla chavez Scott, is Another Unsung Hero Behind this Documentary. She CAPTUED A LOT OF THE MATERIALS THRUGHOUT The Piece?

Scott Yeah, she did a Lot of Shooting. There’s Also A Bunch of Fan Stuff That She Faptured Who We Were On The Road Doing The Concert Film [in 2022]. As soon as we wound Finish the shows, she would Run Outside and interact with the fans. But, Yeah, She Really Steped Up. Before this, she was doing still photography. SO she and ken worked Great Together, and She Learned A Lot of New Stuff Doing this.

There’s A Moment Where You Deliver A Very Pointed Message to Some People, and Ten You Flip Off The Camera. IT WAS IN REGARD TO KEN HAVING TO BE The BAND’S FIRST LINE OF DEFENSE. Are you able to shad a little more light on what you were referencing there?

Scott Not speciphically, but there are definitely moments riddodohh our career WHERE HEEED TO PUSH Back On Something Band. HE WAS USULY JUST STICKING UP for the Band and Making Sure We Got The Best Shake Possible.

Your Former Guitar Player, Troy Van Leeuwen, Tells A Story Involving Stone Temple Pilots that KnoCKED ME Sideways, to Say the Least. I WON’T SPECIFY So The Readers Can Have the Same Experience Upon Watching, But Did That Account Make Some Executives Pretty NERVOUS?

Andrews There was a little bit of concern. We have to go through a whole Process of Vetting the Film for Legal Stuff, and that definitely Came Up. But We Spoke to some People in that World Who Were Like, “No, You’re Fine. You’re Good.” I’m friends with the exist members of stone temple pilots. It didn’t Really happen for US Together in the ’90s; They soared ahead of US in Terms of Crowd Size and Popularity and Whatnot. But There Was Always this Connection Between the Two Bands, and Just the Other Day, [STP guitarist] Dean [DeLeo] Sent Me a Video of HIM AND SCOTT [Weiland] Doing A TV Interview Before [STP] Show in ’93. And they were asked about what bands to listen to, and Scott Just Off About Failure for Five Minutes. SO I THINK [the story] Just Points to a Little Bit of the Craziness that Was Going on Durying Those Years for Both Bands.

WHEN RECORD PRODUCER/Engineer Steve Albini Passed Away Last Year, DID YOU REVIEW HIS FOOTAGE AGAIN JUST TO MAKE Sure You LEft No Stone Unturned? (Note: In 1992, Albini Produced Failure’s Debut Record, ComfortShortly Before He did the Same for Nirvana’s Third LP, In Utter.)

Andrews Yeah, i did. We’re Doing Another Version of the Film That Is More Extended, and There’s A Lot More Extended Stuff of Steve. MOST OF HIS HEADIER STUFF About the Music Business is Actual in the [current] Film. HE WAS SO ENTERTINING TO LISTEN TO WHEN HE’D START Waxing on About That Stuff, But There’s Tons Of Other Stuff. His memory was way batter than mine about the recovery techniques that he have offed up Dringing the Making of Comfort. But that was a crazy moment because he passed Right After We InterViewed HIM.

GREG, ONE OF THE MOST TRAGICOMIC SERIES I’V EVER HEARD IS YOUR “BREAD MIX” Story From 2004’s Golden Documentary, WHICH I NOW CONSIDER to be a proof of concept for this doc. In 1997, your Mailing System Failed You at A Particular Tour Stop, and So You Sent A Crew Member Out to Find Opioids of Some Kind, Only He Came Back Beck Brel Bread Mix that you still.

Edwards Yeah, i don’t know what it was exactly, but i’m hoping it was broad mix at this point. (Laughs.)

Was that storyft going to be recreld for this doc? Or would that have been overkill given all the other Related Stories?

Edwards Yeah, It Didn’t Come Up, Maybe Because It Had Already Been Told. I haven’t. I KNEW A HUNDRED PERCENT THAT IT WAS NOT A DROUG THAT WAS GOING TO ME HIGH, AND Yet It Was Like Russian Roulette.

Carson Daly Introduced Me to You Guys Via Kroq, and Oddly Enough, I ALSO HEARD ABOUT The Break-Up From Him Was Brand New To Mtv in 1997.

Andrews Hung AROUND BACK THEN. HE WAS AT A LOT OF OUR SHOWS, AND HE INTRUDUCED US A FEW TIMES WHEN WE PLAYED LIVE. But then his Career Took A Different Path and We Lost Touch with HIM.

Scott I’ve TRIED TO REACH OUT TO HIM A COUplet Times and Had No Luck. I’m still Really Good Friends with Zeke piestrup from kroq. We used to hang out with carson a lot at the Old Opium den, and that’s kind of what we first meth.

Speaking of Kroq, I ALSO REMEMBER HEARING YOU APPEARANCE ON Loveline. (Note: Spanning Nearly Four Decdes, Loveline WAS A Popular Call-in Radio Program That Offered Relationship and Medical Advice.)

Edwards The Loveline Thing is funny. I WAS HOME ALONE AT MY HOUSE IN WHATEVER [mental] State I was in, and I was was listening to kroq. All of A Sudden, Loveline CAME ON, AND IT WAS WITH FAILURE.

Andrews & Edwards & Scott (Laugh.)

Edwards It was you guys [and guitarist Troy Van Leeuwen]. You haven’t even told me about it.

Scott We Were in the Midst of Breaking Up.

Andrews Yeah, it was the peak.

Edwards Yeah, I HAD NO SENSE OF Anything. I was just shocked. I Couldn’t Understand Why I Hadn’t Been Told About It. I Guess You Just Didn’t Want to Deal with Me.

Andrews WELL, IT WAS ACTUALLY The Manager [Warren Entner].

Scott We have also just the “enjoy the Silence” cover, and that was a big clusterfuck. SO We Were Meeting Our Last Few Obligations.

Andrews There was discussion of not doing it.

Scott YES, THERE WAS, AND I THINK We Were Told, “You have to do it. It’s Loveline. ”

Andrews Yeah, Warren Was Pretty Concerned.

Edwards I was just so unaware of the state of things, and i was just shocked that you guys would do it.

Scott It’s surprising that we did it, because, in the background, Things Were ALREADY Coming Off The Tracks.

Edwards But I was Completely unaware of that too.

You Reunted In 2013 After 16 Years Away, and Overall, You Guys have now been to rewrite your legacy in a way that so many of your contemporaries were unable to do. Is it a right to no Longer Ask Yourselves, “What Could Have Been?”

Andrews Yeah, that’s Part of the Reason Wy We Put So Much Effort Into this Documentary. It was to Clarify Our Story and Maybe Get Some Closure On Some Regrets and Mistakes.

Edwards I’ve Never Really Asked Myself that.

Scott After the Band Broke up, i had a pretty Thorough Descent Into Hell. And Part of What I Need to do to get out of that and become at peace with everything things by reconcileing the past. SO WHEN KEN CALLED ME [in 2013] and was like like, “Greg and I have been hanging out and writing music,” I didn’t Really have to struggle with that kind of Stuff. IT ALMOST SEMED LIKE IT SHOULD HAVE HAPPENED THAT WAY. I HAD LITERALLY JUST DROPED THE PROVERBIAL ROCK ON HAVING SUCH STRONG FEELINGS ABOUT WHAT COURCE HAVE BEEN OR WHAT IF AND ALL OF THAT GARBAGE. TOSE QUESTIONS DO NOTHING BUT HOLD YOU BACK. You Can’T Move Forward if You’re Living in Those Questions. SO it was something something i have to deal with long before the Band Even Got Back Together, and It Denfinitely Made Getting Back Together a Lot More Free and Enjoyable Relationship by the Baggage of the Past.

Andrews I’ve always thorough that if we have gotten more radio airplay or more success [in ‘96 and ‘97]it might not have been a good thing.

Scott Be Careful What You Wish For.

Edwards Yeah, I PROBABLY Wuldn’t Be Here. In Terms of the work that we were created [in the ‘90s] and the work we’ve Continued to Create and the Way It’s Been Receive by the Fans, there’s Just No Regret there. I DONE Everything i Could Ever Hope For. There Could Be More People That Aware of It, But The Actual Art WE’VE CREATED HAS EVEN OUTPORMED WHAT I COURKLD Ever Hope for.

Yeah, You’re One of the FEW REVIVALS THAT ISN’T Resting on Laurels and Operation as A Legacy Act. Your New Music Is A Logical Next Step From Where You Left Off In ’96, and I Probably Listen to the New Stuff More than the Old Stuff Now, Granted I Had 20 Years With. 90s. Are you surprised at all that you’ve been about make musical that’s just as vital?

Andrews I’m surprised. WHAT I’M The MOST SURPRIRED BY AND the MOST INSPIRED BY is the Whole Different Generation of Kids Who Discovered Fantastic Planet and The Newer Albums Simultaneously. They didn’t realy Know Anything About the Band Breaking Up; They Just Thought It Was A Band. SO to be Older Now and See Younger Versions of OurSelves Discovering Our Music Is So Gratifying. And to Walk Out on Stage and See Those Young Faces Is A Gift That I Was Not Expecting.

I’ve been reading the tea leaaves for the Last Six or Seven Months, and It Appears You’re on the Verge of Finishing Your Seventh Record. The Second Era of the Band Will Official Have More Output Than Failure 1.0. What can you say at this juncture?

Andrews We’re Finishing It. That’s definitely true. We’ve Got A Good Solid Album Worth of Songs, and We’re Mixing. WHEN I’M at this Point in the Process, I DON’T HAVE A TON of objectvity on whore the album fits in the timeline of the Band. I Just Know It Feels Good, and I KNOW I LIKE THE SONGS. But is Hard to Know How It’s Going to Land for People.

Are The Segues Between Songs Back?

Andrews There’s Some Extended Intros, But They’re Not Defined As “SEGUES.”

Scott We don’t actualally use that word on the record.

Edwards WHEN WE MADE OUR FIRST THREE RECORDS, THERE WAS Zero Concern to the Running Time Because Vinyl Was Gone. Nobody Boughht Vinyl, Nobody Pressed Vinyl, and A CD Could Handle 74 minutes. But now, vinyl is a real Thing Again. I a real Thing that We Think About WHEN WE’RE MAKING A RECORD. All The Classic Beatles Records Are Right AROUND 38 OR 40 minutes, and that’s what vinyl canlle before you start loming frequency resis. SO SEGUES CAN REALLY EAT UP THAT TIME ON VINYL. Do you want to have a few nice segues? Or do you want the Songs to Sound Full and Big?

Andrews I LIKE The challenge of Making a Concise Record that Fits on One Vinyl Disc. I gues’s because so many of my favorite albums did that, and while it is an arbitrari technological number, it influenCed the Creatcy Side B with? ” That was a big consideration. And Because We’ve Had So Much Success With Vinyl in the Rebooted Version of The Band, It’s Just Something that’s on Our Minds.

Are you done reinterpreting the Golden b-sides à la “petting the carpet” and “pennies”?

Andrews I don’t know if we’re done, but i feel like we’ve maybe Picked some of the bestns. So we’re not revisiting the past on this record, Although we are actually rehearsing some of Those Older Songs Right Now and Reinterpreting them for An ACustic Set [at 6/26’s documentary premiere].

Lastly, Greg’s Sister, Julie Edwards, Commented in The Doc About The One-Two Punch of “Heliotropic” and “Daylight” to Conclude Fantastic Planet (1996). What’s Your Favorite Run from the Newer Material?

Edwards “Long Division” Into “Bad Translation” Into “Half Moon,” Those Three [fromWild Type Droid]Transition Really Nicely.

Andrews We Really Spend Time On Sequance. In Fact, We’re Still Haggling Over Sequence on the New Record. IT’s Like Songwriting for Us. We Really Listen to the Transitions and Feel the Pacing. IT’s Very Important to Us.

Scott In the Future‘S “FORCE FED RAINBOW” AND “THE PINAL ELECTORATE” would be mine. “Force Fed Rainbow” is One of My Favorite Songs of All The New Stuff, and I Believed that Even Even More WEEN WE PLAYED IT LIVE FOR The FIRST TIME ON OUR LAST TO TOUR. It Just Crushed Me Every Night. I ACTUALLY THINK The Last Four Songs on In the Future … Are equal to the last four songs on Fantastic Planet.

BESIDES TOSE TWO, I ALSO APRACIATE The Heart Is A Monster’s Transition of “Amnesia” Into “Snow Angel.”

Andrews Yeah, I Love The Intro to “Am Amnesia” and the Beginning of that Album. Dean from stp was just telling me that every time time he gets into his car, It [alphabetically] Programs “Amnesia” to Play First [because it’s paired to his phone’s library]. An [the loud intro] Kills HIM BECAUSE HAS HAS HIS STEREO VOLUME Set Loud from the Previous Drive.

Andrews & Edwards & Scott (Laugh.)