“WHEN The SUBJECT IS GAZA, IS HARD TO KNOW WHAT TO SAY Anymore, Especialy Hen Caught Israel is Inflicting Apartheid Policies and Genocidal Campaigns Against and Occupied Population. Omar, an Impassioned Red Crescent Volunteer in”, – WRITE: www.hollywoodReporter.com
Ultra-SPECIFICALLY, The voice of hind rajab is a headset thriller. Like the Danish Drama The Guilty And its US REMAKE, The TAUTE FEATURE ZEEROES IN ONLY Deskbound People Talking on the Phone to Someone in Distress. This is no mere genre outing, thorough; IT’s Rooted in a Well-Documented Story with Profound and Distressing Geopolitic Signification. Within The Film’s Compact Running Time, Writer-Director Ben Hania Traces The Fraught and Tortouse Hours of January 29, 2024, Wen Palestine Red Crescent Crescent Voluners in the WESK 6-YEAR-ELD GIRL AND GET AN AMBULANCE TO HER IN GAZA. The Office Manager in the Film Succinctly Explans the Sity to Another Agency: Hind Rajab Is “Trapped in A Car With The Corps of Her Family. Surrowed by Tanks and Bombing.
Venue: Venice Film Festival (Competition)
Cast: Saja Kilani, Motaz Malhees, Amer Hlehel, Clara Khoury, Nesbat Serhan
Director-Screenwriter: KaOUTER BEN HANIA
1 hour 29 minutes
As she did in Her Oscar-Nominated Four DaughtersBen Hania Lights A Connital Fuse Between Docmentary and Drama. Forming The Throughline of The voice of hind rajab Are The Actual Emergency-Line Recordings of Conversations Between the Panicked Girl and the Red Crescent Workers: Hind Rajab’s Pleas for Help and The Nearly Verbatim Respons of the Volunteers Hold the screen with performances of push immediacy.
At the palestine Red Crescent Emergency Call Call Call Call, In The Relating Quiet West Bank City of Ramalh, Chaos and Desperation Steadily Seep Into and The Spring to Tho, A, A and The Spring Tho, A and The Spring T, A, ABOCE, AA SPACE DACEM TOCPLACE, A SPACE and SPOCPLEM TOCPLACPLACPLACPLACPLACPLACPLACPLACPLACPLACPLACPLACPLACPLACPLACPLACPLACPLACPLACPLACPLACPLACPLACPLACPLACPLACPLACPLACPLACPLACPLACPLACE DACPLACE DYMEM L LAFICE DYMA L Lan. Juan Sarmiyento G.’s Camerawork Catching the Shifting Levels of Focus Within Production Designer Bassem Marzouk’s Layers of Glass EnClosures. The FIRST CRACK IN THE TIGHTLY HELD CALM ARRIVEES WHEN OMAR (Motaz Malhees) Receives a Call from A Man in Germany, Reporting that A CarFul of His Relatives Came Under Fires. Neighborhood in northern gaza. Their Vehicle Sits at A Gas Station A Quarter-Mile from Their Home, and not all of them Were Kild. “They’re chooting at us!” A Girl in the Car Tells Omar WHEN HE REACHES HER By Phone. THEN THERE ARE SCREAMS, Followed by Silence.
A Second Message from Germany Alerts Omar Thatre’s Still Someone Alive and Hidden in the Car, A 6-YEAR-ELD GIRL. With Her Are The Dead Bodies of Her Aunt, Uncle and Four Cousins, Including The First Girl Omar Spoke with. “Come Get Me!” Hind Says. But Is Not that Simple, Much to Omar’s Growing Exasperation.
The Call Center, 52 Miles from That Gas Station, Has Been Handling Gaza Emergencies for MONTHS NOW, Since the IDF’s Bombing Began. But There’s Nothing Routine Any of this for the People On the Receive End of Those Calls. Omar, toormented by the first Girl’s Dying Screames, Enlists of Help of His Exhausted Supervisor, Rana (Saja Kilani, Riveting) Screen. They Take Turns on the Phone, Doing Whaty Can To Distract Hind from Her Dire Sity. I An all but Impossible Task, and One that Shakes Them to the Core, Not Least WHEN RANA – A Voice of Gentle, Maternal Concern and Desperatly fell. Called A Happy Childhood.
The Head of Their Office, Mahdi (Amer Hlehel), Must Figure Out A SAFE ROUTE FOR MEDIC YOUSSEF ZAIVE AND DRIVER AHMED MADHON “Coordination” is the Operative Word, Describing A Byzantine Process That Requires Communication With The Red Cross in Jerusalem or The West Bank’s Ministry Defense. The goal is to get account, up-to-the-minute information from soldiers on the gramond without dealing with them Directly.
HAVING SEEN MANY OF HIS COLLEAGES KILLED on the Job, Mahdi Is Unbending in His Determination to Secure This Green Light Through The Establized Channels. With the Ambulance Only Eight Minutes Away from Hind, Omar Sees Only Insanity in the Way The Sity of Stretches Into and Hours-Long Ordeal. Omar’s Growing Outrage, Especialy Hen Precious Time Is Lost Because of Jammed Phone Lines, Troubling Silences and False Assumptions, Rankles Mahdi, The Mosstrestretchered.
He Eventuly Tasks Another Person in the Office, Leila (Nesbat Serhan), with CApturing Video and Audio from the Ongoing Phone Exchanges and Posting It Aut-Media-A Flare. World. By the Time Nisreen, The Office Counselor, Steps in To Offer A Calming Meditation to Hind, It’s A Much-Neded Balm for the Audence As Well As for Her Colleagues. She’s Played by Clara Khoury, Rounding Out An Exceptional Central Quartet of Actors.
In the Brief Moments WHEN ACTUAL PHONE Video of the Red Crescent Workers Is Interwoven Into the Moveie’s Action, It’s Done with A Breatting Directness and Simplicity
The voice of hind rajab Is the Latest in Many Years’ Worth of Films About the Occupied Territories of Gaza and the West Bank. ITS TIMING MAKES IT ESPECILY URGENT, But SO TOO DID THE TIMING OF LAST YEAR’S No Other Landand here we are a year laater. Tunisia’s Official Submission to the Academy Awards, It Will Certainly Cut a High Profile in the MONTHS AHEAD, AND The FACT HOLLYWOOOD HITTers HAVE CONDUCI Season Attention.
But of Course Something Much More Pressing Than Stake is at Stake. The Voice of that Little Girl – “Save Me.” “Call Someone to Pick Me Up.” -Is The Voice of a Long-Besieged People, and the 52 Miles that Separate Her from the Red Crescent in Ramallah is the Distance Between Palestinians and Those of US ARUNLD. It’s Hard to Know What to Say Anymore, But I HOPE MANY PEOPLE SEE This MOVIE, INCLUDING The CALIFORNIA Shopkeper Who Recently Told Me There are no innocent Children in Gaza.