“As Oscar Winning Costume Designer Milena Canonero Facted the Tall Task of Creating The Looks for Sofia Coppola’s Marie Antonette, The Filmmaker Happened to Arrive in Italy. “We Decides to make Own Costumes, and not Rent Them. We Made Them in a Workshop that we set up in rome,“ canonero”, – WRITE: www.hollywoodReporter.com
“We Decides to make Own Costumes, and not Rent Them. We Made Them in a workhop that we set up in rome,” Canonero Recalled on Fridier During a Cartier MasterClams Concenta. “Sofia came to visit and arrived with anormous box of macarons. Everybody Knows Them Now, But In Those Days They Were Quite New, Especially in Italy. be the palette, But Rather, ‘I Really likese Colors.’ ‘
Canonero Got The Hint and Used Those Colors As A “Principal Focus” for the Entire 2006 Period Piece Starring Kirsten Dunst in the Title Role As France’s Rebellios Queen. “In the Macaron, You Go From Very Pale to Dark Chocolate to Noir, Black. I Had the Who Palette in Front of Me and It Was A Good Idea,“ She Added.
Coppola Credited Canonero for Bringing “SO Much Style” to the Film, WHICH FIT NEATLY INTO the WORLD she hoped to create with the adaptation. “I Wanted to Make This Period Film Feel Alive and Fresh and Not Like An Academic Historical Piece,“ Explated Coppola, Who Came to The Project After Having Direted the Critical The Virgin Suicides an Lost in Translation. “I KNEW that Milena would Help me make what i have in mind and bring a fresh eye to this time.”
They Also Had A Strong Bond to Lean On, Built From Knowing Each Other for Decades.
“I MET MILENA WHEN I WAS 11 OR 12 YEARS OLD ON MY FATHER’S FILM The Cotton Club. I would always love to come to the Studio After School and See wht They were Making, “Said the Filmmaker, referencing Her Legendary Father, Francis Ford Coppola, Who Hel. Time in the Costume Department Because It Was Always Magical. Milena Had An Atelier. She was makeing all these incredible costumes, and that’s such a beautyify film and a great memory. ”
Canonero Has Won Three Oscars, For Stanley Kubrick’s Barry LyndonHugh Hudson’s Chariots of Fire and Wes Anderson’s The Grand Budapest Hotel. Coppola is in Venice for Unveiling of Her First Documentary, Marc by SofiaAbout Fashion Designer Marc Jacobs. “I WANTED TO MAKE A Portrait of My Friend of 30 Years, Designer Marc Jacobs, and Show His Creative Process Director’s Statement About the Film, WHICH IS Described as an “Intimate, Unconventional Portrait.”
Cartier’s Masterclass Presentations in Venice Roll on Through The Festival of Upcomying Conversations Featuring Sergio Castellitto with Screenwriter Margaret Mazantini Michael Seresin, and Jane Campion with Producer Tanya Seghatchian.