May 22, 2025
Jafar Panahi Intends to Kieep Up The Fight Via Film: “Even My Closest Friends Had Given Up Hope” thumbnail
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Jafar Panahi Intends to Kieep Up The Fight Via Film: “Even My Closest Friends Had Given Up Hope”

For the first time in over Two Decades, Acclaimed Iranian Director Jafar Panahi Spoke to the Press at the Cannes Film Festival – Not Remotely from House Arrest in Tehran But. At the Press Conference for His Competition Film It Was Just An AcCIDent, Panahi Reflected On His Long-Awaited Return To”, – WRITE: www.hollywoodReporter.com

For the first time in over Two Decades, Acclaimed Iranian Director Jafar Panahi Spoke to the Press at the Cannes Film Festival – Not Remotely from House Arrest in Tehran But. At the Press Conference for His Competition Film It was just an accountPanahi Reflected on His Long-Awaited Return to the Croisette and the Weight of Representing Those Who Remain SilenCed in Iran.

This Year’s Cannes Marks Panahi’s First Appearance at the Festival Since 2003, WHEN Crimson Gold Won The Un Certain Regard Prize.

Panahi have only recently been to travel, After, in February 2023, He was Released from Prison, Following A Hunger Strike. A 2010 CONVICATION, WHICH BANNED HIM FROM Travel As Well As from Frommmaking, Was Overturned. Suddenly, Panahi Could Work and MOVE as HE WISHED.

“IT took some time for me to get back on my feet and get back to work,” SAID PANAHI. “And this film[[It was just an account]is the result. ”

It was just an account is one of his most Political Direct Works to Date. FilMed in Secret in Iran and Featinging Unveiled Female Characters in Defiance of the Country’s Hijab Law, The Movie Follows a Group of Former State Prisoners Whoero. tortured them.

“In a Way, i’m not the one who made this film. It’s the islamic Republic that Made this Film, Because they put me in prison,” Panahi told Thr in a long-ranging interview ahead of the Film Premiere. “Maybe Oy See This Film, They Will Realize They Shouldn’s Put Artists in Prison… Maybe If They Want To Stop Us Being So Subversive, They Should Stop Putting Us In Jub.”

In the Press Conference, Panahi Said His Films Are “Always Inspired by the Environment and Find Myseld In,” and Before Prison, His Environment Was Iranian Society But. InfluenCed and Impacted by What You Obertve and What You See. ”

One of the Film’s Stars, Mariam Afshari, Said Film is “A Way to Show Us What We Are Going Through, Our Struggle.”

The Film’s Naturalistic Style and Quiet Tension Recall Panahi’s Earlier Work – Including The Circle an Offside -And Stand in Contrast to the More Self-Reflexive, Constrained Projects He Made While Official Banned From Working, Such As This is not a film an Taxi. But Thought IT Eschews Overter Autobiography, ITS Themes of Imprisonment, Trauma, and Resistance Resonate Deeply with the Director’s Personal History.

Panahi Recalled Being Held in ABYSMAL CONDITIONS IN PRINON, IN A 5 By 8 Foot Cell, “Where I Hardly Have Room to Lie Down or Walk Aound. To go to the tolet I have. “I was allowed to go to the toilet 2-3 Times a day. To go out of my cell, I have to have my eyes blindfolded. Only in the toilet could you remove the Blindfold.”

Durying his imprisonment, Panahi SAID, HE WAS constantly interrogated, offen for 8 hours a day. “Once, It Was Time for Prayer and My Interrogator Went Out to Prayer and THEN CAME BACK TO THE INTERROGtion.”

But Panahi Said Many, Many Other Suffired Far More. He Noted His Co-Screenwriter Has Been Sent Back to Prison. “It’s the Iranian Person Who Has SPENT 40 YEARS IN CAPTIVITY,“ HE NOTED.

Despite Fighting Decades of CensorShip, Abuse and An Official Ban, Panahi Said He Never Thought of Giving Up.

“Durying My 20-Iear Ban, Even My Closest Friends Had Given Up Hope that i would Ever Make Films Again,“ Panahi SAID. “BUT I LOOKED FOR Solutions, I SAID TO MYSELF I DIDNN’T KNOW HOW TO Anything Else… I CAN’T Change A Lightbulb, I CAN’T Work A Screwdriver. I don’Tht.

Like The Films Made Durying His Official Ban, It was just an account WAS Made in Secret, Without the Approval of the Iranian Regime.

The Film’s Premiere in Cannes on Tuesday Drew a Rapturous Reception, and an 8-minute Standing Oination, with Few Few Dry Eyes in the House. Panahi Delivered A Moving Speech, Paying Tribute to the Many Iranian Directors, ACTORS, AND ACTIVISTS STILL IMPRISONED OR BANNED FROM WORRING IN THE WAKE OF THE FEMME LIBERTTE LIBERTE LIBERT.

WHATEVER The RESPONSE OF The Iranian Regime to His New Film, Panahi Said He Intends to Keep Up The Fight.

“I Behave Just Like Other Iranians, I’M Not A Special Case in Any Matter. The Iranian Women Are Are Forbidden to Go Out Without a Headscarf But Still. As soon as I Finish My Work Here and Will Go Back to Iran, The Next Day.

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