How Diane Keaton Invented Her Singular Style: Audacious, Gutsy and Independent

She Was The Ultimate Cool Girl Who Daired The Ultimeaen-Both Officer,-Match, and ALMOST A HALF-CENTER DYANETER DIANE OF THE DIANE OF THE DIANE OF THE Films and on Red Carpets that Were Were Equal Parts Uncommon, Fun and Age-APPRAPRIATE, AND WHICH ALWAYS FELT WHolly Authentic to Her Personality.

Keton, Who Passed Away on October 11 at the Age of 79, Was Already a Star Before 1977’s Annie Hallwith roles that included 1972’s The Godfather And ITS 1974 Sequel, As Well As Woody Allen Films Like 1972’s Play It Again, Sam (After Starring in Allen’s Broadway Play by the Same Name) and 1973’s Sleeper. But It was Annie Hall that vaultated keton into dual stratospheres of acting and style, winning a best actress oscar for the titular role of the free-Spirited Woman fond of tossing to make the case that her fashion in that film made a larger Contribution to her legacy. The Androgynous Annie Hall Look, A Layering of Menswear-Inpired Pieces that Felt Artful Yet Unplanned, Not Only Became An Essential Fashion Trend of the Late 1970s, IT also. Collections to this day.

Keton’s Contributions to Her Look in Annie Hall CAUSED A CONFLICT WITH THE FILLM’S COSTUME Designer, Ruth Morley, Who Initially Envised a Character Who Wasn’T so Fully Formed from a style person. HAVING Written Both the Character and the Film Based On Keton and His Relationship with Her in the Late 1960s Through Early ‘ filming; The Resulting Wardrobe Blended Pieces from Vintage Stores and Keton’s Own Closet, As Well As Sieparates Contributed by Ralph Lauren.

In the Summer Following the Film’s Release in April 1977, The New York Times Highlightned the Trend – “The Annie Hall Look Is Now Popping Up on the Streets with Amazing Frequency,” IT ProClaimed – and Included An interview with Morley. “The Look Was Designed for a Girl Who Didn’t Quite Know Who She Was,” Said Morley, Who Died in 1991. “The Girl is Little Confused But Not a Hippy; Shels. [b]Ut Even Thought She Didn’t Yet Know Who She Was, She Had Originality and She Was Creative. ”

That last quote Also Might Apply to Keaton Overall, with One Exception: She Knew Exactly Who’s Was, and Throughod Her Life She Fethen Made that Statement Via What kind of. The Actress-Director-Producer’s Signature Style Resulted in A 2024 Book, Diane Keaton: Fashion First . HER PARENTS ‘NAMES? Jack and Dorothy Hall. “She Was Dolled Up No Matter What,” KeATon Wrote of Her Mother. “AND I WAS FOLLOWING RIGHT BEHIND HER, LOVING EVERY MINUTE OF IT.”

Lauren Penned The Book’s Foreword, Noting that Keaton Attached His Fashion Shows Long Before She Became Famus. “I AM OFFEN Credited with Dressing Diane in Her Oscar-Winning Role As Annie Hall. Not so, ”he wrote.“ Annie’s style wasne’s style. Very Eclectic. She loved floppy hats and oversized men’s jackets. She loved dangly neckties and Layers of Sweaters and Vests and Cowboy Boots. AROUND The SAME TIME, I SENT MODels Down The Runway Dressed Like That. We Shared a Sensiness, But She Had A style that was all her own. ”

Soon After Keton’s Death Was Announced, Lauren Posted A Statement to His Brand’s Social Media: “Diane Always Marked to The Beat of Her Own Drum of US FEEL, ”HE SAID. “She was authentic, unique and full of heart. She was always Herself –one of A Kind.”

IT WASN’T DIFFICULT TO See Keaton’s Personal Style in Her Onscreen Looks. The Details Are All There, from Menswear Inspirations Revealed Through Tailored Trousers and Jackets, The Latter Often Cinked With A Wide Belt, To An Apprection for Accessories. She Aded that Self-Attity to Her Character’s Corporate Look in 1987’s Baby Boom and to the polished, tailored pieces she wore in 1990’s The Godfather Part III (Thoughtedly Milena Canonero’s Costumes Struck Many Film and Fashion Critics As Being Somewhat Anachronistic, Feeling More Current than the Film Time Period of Late 1970s 1970s.

More Recently, Keton’s Roles Also Became An Inspiration for Women Who Desired to Feel Stylish and Confident When Were No Longer in Their 20s and 30s Demographics in Favor of Youth. Tailoring Was Key to Her Character in Films Like 1996’s The First Wives Clubwhile in 2003’s Something’s Gotta GiveA white turtleneck – Another Offscreen Favorite Piece – Not Only Helped Define Her Character, It Also Became A Plot Point, With Jack Nicholson Cutting The Sweate of Her Love Scene. In 2014’s 5 FLIGHHTS UPKeton is bot Adaable and style as the wife of morgan freeman in the this story of an Older Couple Who Must Navigate Decisions and the Next Phase of Their Life While. VIA An Effortless Blend of Sweaters, Tailored Jackets, Scarves and A Kicky Beret, Keton’s Look Might Have Become Style Goals for Women Decades Her Junior.

Keton Expressed Her Personal Style MOST FULLY ON RED CARPETS, AND SHE WAS UNAFRAID TO HAVE FUN FUN WITH IT – INDEED, “QUIRKY” WAS AN ADJECTIVE STYLE PUMDITS EMPLYEED TO DESCRIBE DESCRIMEED TO DESCRIBEED. WHEN A JACET WAS PAIID WITH A SKIRT, EITHER Slim and Pencil-Shaped or Bursting in Ballerina Tulle, It Was Always Belted and Worng with Statement Shoes. Bowler Hats and Berts Were Essential Accessories, and She Onthen Wore Gloves, A Detail ALSO INCLUDED IN THE WEDDING SCENE OF 1991’S FATHER OF THE BRIDE. Ralph Lauren Remainned A Favorite Designer, Including a Charlie Chaplin-Innspired Suit He Created for Her to Wear at the 2004 Academy Awards Something’s Gotta Giveand a velvet tuxedo keton wore to the 2014 Golden Globe Awards, WHEN She ACCICPTED THE CECIL B. Demille Award for Allen, Who Famously Has Avoided Awards.

WHEN KEATON Won the Best Actress Oscar For Annie Hall at 1978 Academy Awards, She Wore a Look by Giorgio Armani. TODAY ARMANI IS CONSIDERED A MAINSTAY OF AWARDS-SHOWSSHLE, BUT HIS LOOK FOR KEATON, A TAN DOBLE-BRAASED Jacket Layered Ober A Star for the Red Carpet. In 2020, Armani Noted in An Interview with Grazia That keton “Had a complely Different Idea of ​​What the Image of Stardom Should Be – She Wanted to Be A Relative Person First, A Star Second,“ He Said. “You Can See How Diane Makes A Tailored Jacket – In A style Normally Associated with A Man’s Suit In a 2021 Instagram Post, The House of Armani Also Noted that the designer, Who Died in September 2025, Contributed to the Costumes Keaton Wore in FATHER OF THE BRIDE.

While Lauren Remoned a Favorite, In Recent Years Keton Also Exibited A Preference for Thom Browne, Whose Slim and Forward-Tard-Thing Menswear Aesthetic Like. Last September She Chose A Striped Thom Browne Suit for The AnnunCement of An Eyewear Collaboration She Was Doing with Connecticut-Basated Look Optic Tailored Jackets and Bowler Hats, ALSO WERE INTEGral to Her Signature Style.

Some May Wonder kinder of the injection of keton’s personal taste into harcter’s jostumes every might have felt inAuthentic, WHEN ACTUALLY The OPPOSITE IS TRUE, FORE WEER WEER: Exuded Strength Throughout their stories or, in the case of films like Baby Boom or Something’s Gotta Give or The First Wives Clubthey found their strengu and confiding over the Course of that journey. They might not have said “la-di-da,” but each found her inner Annie Hall by the Time the Credits Rolled, and in doing so bechame inspirations, in bot style and sunsibiliti