“Henry Jaglom, The Maverick Auteur Who Crafted Deeply Intimate and Unconventional Films that Explored the Intricacies of Relationships and the Quirkiness of Human Behavior, Has Died. He Was 87. Jaglom Dieded Monday Night at His Home in Santa Monica, His Daughter, Sabrina Jaglom, ALSO A FILMMAKER, Told The Hollywood Reporter. “My dad was the most”, – WRITE: www.hollywoodReporter.com
Jaglom Died Monday Night at His Home in Santa Monica, His Daughter, Sabrina Jaglom, ALSO A FILMMAKER, TOLD The Hollywood Reporter.
“My dad was the most loving, Fun, Entertaining and Unique Father and the Biggest Cheerleader and Champion Anyone Could Be Lucky Enough To Have,“ She Said.
The Writer-Director of Such Films As A safe place (1971), Sitting Ducks (1980), Can she bake a cherry pie? (1983), New Year’s Day (1989), Eating (1990), Last Summer in the Hamptons (1995) and Déjà vu (1997), Jaglom Drew from Experience to Make His Work Feel All The More Personal and True to Life.
Thought he nver acchieved the Star Status of some of his contemporiaries, jaglom was celebrated as an original. His films, Thought Onthen Meandering, Were Rich with Intricate Dialogue and Deeply Woven Characters and Emphasized People Over Plots. He Onthen Did Without a script or rehearsals.
Some considered him a genius; OHERS TONOUGHT HA HAD NO TALENT AT all. Who is Henry Jaglom? Was The Title of A 1995 Documentary That Attempted to Get To The Heart of the Matter.
“Ultimately, WHETHER YOU LOVE OR HATE HIM OR HIS FILMS,” Who is Henry Jaglom? Co-Director H. Alex Rubin Once Said, “You’ve Got To Give Him Credit for His Stubborn Commitment to Remain Outside of the Mainstream and His Refusal To Compromise.”
In a 2012 Interview with Slant Magazine, Jaglom Said He Loved Hollywood Movies As a Youngter But “Always Felt there was a Wall Between me and them.”
“I WANTED TO MAKE FILMS WHERE PEOPLE FELT THAT THE LINE WAS BLURRED,“ HE addted. “People have told me that they somehow feel less lonely by [watching] My Films, Because My Films Reveal That We’re All ‘Bozos On This Bus,’ If You Know That Expression. And, somehow, to share that fact, that we’re all going Through Things, People Feel They’re Less in Trouble. I TRY TO BREAK THAT WALL BY SHOWING OUR SELF-INVOLVEMENT WHILE AT SAME TIME INTERNING OF THEM. ”
Straight Out of College, Jaglom Studied Acting Under Lee Strasberg at The Actors Studio in New York, Then Appeared Opposite Jack Nicholson in Psych-out (1968) and in the actor’s Directorial Debut, Drive, He Said (1971). He Also Cast HimSelf in Many of His Films.
HE WAS A GREAT FRIEND OF ORSON WELLES, ONE OF HIS STARS IN A safe place. For about two years before Welles’ Death, The Two Willd Meet for A Weekly Lunch at Ma Maison in Hollywood, and Jaglom Recorded Their Lengthy Excchanges As They Dined. Those Became The Basis for Peter Biskind’s 2013 Book, My lunches with orson.
Welles’ Final Acting APPEARANCE CAME IN JAGLOM’S Someone to love (1987), and Jaglom Showed Up in Welles’ Last Film, The Other Side of the WindReleased in 2018 After 40 Years in Development.
Henry David Jaglom Was Born in London on Jan. 26, 1938. His Father, Simon, Was from Russia – He Was Jailed Durying the Russian Revolution in 1917 for Being a Capitalist – and his his Mother, Marie, Was a descendant of Menzo. Both Came from Wealthy Families.
Jaglom Was Raised in New York City After His Family Moved there to escape the Nazis. He attached the university of pennsylvania to Study acting (Bruce dern was was a classmate), then retirned to the New York After Gradation to Work with Strasberg.
Peter Bogdanovich, Preparing to Direct His First Film, Targets (1968), Convinced Jaglom to Move to Hollywood. He Wanted Him to Star in His Movie As A Journalist But Ultimately Decides to Play The ROLE HIMSELF.
Jaglom Landed Guest Spots on the Sally Field Sitcoms Gidget an The Flying Nun and in the feather The 1000 Plane Raid (1969). HE HAD BEEN IN THE RUNNING TO PORTRAY Benjamin Braddock in The Graduate (1967) But Lost Out to Dustin Hoffman.
His Friendship with Nicholson Gave Jaglom An Opportunity to Help Edit Easy Rider (1969) – Jaglom would go to edit several of his own features – and a chance to Pitch Producer Bert Schneider A Script He Had Written and Wanted to Direct.
That was A safe placeWHICH STARRED TUESDAY WELD as A Mentally Unstable Flower Child Torn Between A Stedy Boyfriend, Fred (Phil Procter), and The Sexy, Dangerous Mitch (Nicholson).
The Film Oped The New York Film Festival But Was Poorly Received, and It Wulda Take Jaglom Another Five Years Before He Could Get Financing To Make Hisst MOPERING MOVIE Tracks (1976). It Followed A vietnam Veteran as He Takes the Coffin of a Fellow Soldier on a Cross-Country Trip To Make Sure His Comrade Gets A Hometown Burial.
In Can she bake a cherry pie? Karen Black Chewed The Scenery – Literally and Figurativly – As A Neurotic, Insecure Wife Who Turns to Conception A Diner’s Entire Desert Trust to Cope When Husband Leaves Leaves Leaves Leaves Leaves Leaves.
In his review of the Film, Roger Ebert Wrote, “It Will Probably Appeal to the Kinds of People Who Liked Both Harold and maude an My dinner with andre. It is the Kind of Crazy, Endearing Film WHERE YOU START OUT BELIEVING Characters Like This Cold Never Be Real and End Up Realizing You Know People Just Like. ”
Jaglom, In Fact, Often Put Women in the Spotlight. In Her Final Screen Appearance, Swedish Actress Viveca Lindfors Turned In One of Her Best Performances in Last Summer in the Hamptons as a diva who, whon for sell her bell beed beach home, transforms the family’s last visit into Grand theater.
Eating Featured An all-Female Cast Talking About their loves, their Lives and Food; Babyfever (1994) Explored A Woman struggling with the Decision to Start a Family; an Going Shopping (2005) Revolved a beverly Hills Boutique and Delved Into The Obsense Some Woman have with Buying Cloths.
“Because i’m in theater, My Films Are Set in the World of Actors and the Worlds of Actors’ Reality,“ Jaglom Said. “The Other Subject That ObsESSE ME IS WOMEN’S ISSUES, WHICH Hollywood Ignores. Eating, Babyfever an Going Shopping Deal with Women’s Attitudes About Food, Weight and Clothing. I Think People See These Films and Feel Less Alone Going Through Things. I TRY TO TELL The TRUTH ON FILM. I TRY TO BREAK THAT FURTH Wall. ”
Many Times, The Characters Jaglom Played in His Films Were Thinly Veils of Versions of HimSelf. HE portrayed a Hesitant Divorcee in Always (1985), A Film Director in Someone to love, New Year’s Day an Venice/Venice (1992) and a member of a multigeneration theatric Family in Last Summer in the Hamptons.
In Alwayshis first wife, patrice townsnd, Played Judy, The Woman His Character Was Divorcing (She Also Appeared In Sitting Ducks). The Two Married in 1979 and Divorced Two Years Before The Film Was Released.
Jaglom Co-Directed and Co-Wrote Babyfever with his Second Wife, Victoria Foyt, Whom HE Married in 1991. The Two Went On to Write Last Summer in the Hamptons, Déjà vu, Going Shopping and 2001’s Festival in cannes. (Foyt Also Starred in All Four Of Those Films Before She and Jaglom Divorced in 2013.)
Jaglom Met Tanna Frederick WHEN THE THEN-ASPIRING ACTRESS WROTE HIM IN PRAISE OF Déjà vu. HE CAST HER IN Hollywood Dreams (2006) As an Ambitious Actress from Iowa (Frederick Was A Native), and She Became His Muse, Starring In Irene in time (2009), Queen of the Lot (2010), Just 45 minutes from broadway (2012), The m Word (2014) and Train to zakopone (2018).
In Addition to Sabrina Jaglom – She Wrote and Directed The 2022 Thriller Jane – HE IS SURVIVED by his Son, Simon (Middle Name: Orson). Both Kids, from His Marriage to Foyt, Often Appeared in His Films, As Did His Older Brother, Michael Emil, Who Died in 2019.
Jaglom Was “Truley One of A Kind,” his daughter noted. “HE LIVED HIS ENTIRE LIFE EXACTLY the WAY HE WANTED TO, AND ENCORGED EVERYONONE ELSE to DO SAME. We All Admire Him, and He Will Be Greatly Missed.”