Tiffany & Co. Partners with Netflix to Bejewel Guillermo Del Toro’s ‘Frankenstein’ (Exclusive)

Asked to Describe of the Moment that Delighted Him the MOST ON THE SET OF FrankensteinThe Guillermo Del Film Opening in Theaters On October 17 Before Streaming On Netflix Beginning November 7, Christopher Young IMMEDIATELY RECALLS THE NECLES and Platinum Design Created by Tiffany & Co. In 1900 for Cleveland Society Matron Ellen Garretson Wade. Commissioned by Her Husband, Financier and Philanthropist Jeppha Homer Wade II, The NECKLACLACLACLACE SHOWCASESSESESESSESESESSESESESSES Frankenstein Set, It Had Never Been Seen On any Woman’s Neck Other Than Mrs. Wade.

WHEN YOUNG PROCEEDED TO PLACE THE NECKLACE ON MIA GOTH, WHO PLAYS ELIZABETH IN DEL TORO’S REIMAGINING OF THE LEGENDARY MARY SHELLEY Tale, He Says HeestMest be needed. “BUT IT Fit Her Perfectly; We Didn’t to Do A Thing to It,“ Explans Young, Tiffany & Co.’s Vice President and Creative Director of Tifness. “IT WAS ALSO OBVIUS THAT WARKLACLACE AFFERCED MIA, BECAUSE she sat up Difrient. The Diamonds, Meanwhile, Sparkled in a Different Way Because. That’s an Effect You Can’T Create Using Imitation Materials, and He Saw It Also, Because He Ended Up Reframing the Scene. ”

Tiffany & Co.’s Inclusion in Frankenstein Began As A Request from Costume Designer Kate Hawley, Who Also Has Collaborated with Toro on 2015’s Crimson Peak and 2013’s Pacific Rim. WHEN HAWLEY FIRST Contacted Young, HE SAYS HE DIDNN’T IMMEDIATELY Embrace of the Idea. “IT’s Normal WHEN Someone Says FrankensteinThe FIRST IMAGE THAT MINE IS Boris Karloff and A Dark Castle and An Insane Scientist in the Background, “Young Tells The Hollywood Reporter. “BUT it was noting like that some and Started seeing the designs kate product. It was was ImmediaTely apparent that this lavish Production wold be very suityable Jewelry. ”

More than many of jewelry housses, tiffany & co. Can Boast A Close Connection to Hollywood – Perhaps Most Famously WHEN AUDREY HEPBURN STROLLED IN FRONT OF ITS FAMED MANHATTAN Windows in 1961’s Breakfast at Tiffany’sand more recently with 2013’s The Great GatsbyWHICH PRODUrated A Collaboration Similar to Frankenstein. For 2002’s Sweet Home AlabamaA Key Scene Starring Reese withrspoon and Patrick Dempsey Was Filmed On the Main Floor of Tiffany & Co.’s Flagship on New York’s Fifth Avenue. But There Was a Next-Level Element to the Archive Jewels used for FrankensteinYoung Says. “IT’S INCREDIBLY RARE FOR THESE PIEces [in the film] to see the Light of Day, ”He Notes.

That’s especialyly true of a doubble-row scarab necklace goth also wears in the Film, A 1914 Design Crafted of Art Glass and Gold in the Workshop of Louis Comfort Cest Cest. And Designers, Meta Overbeck and Julia Munson. “There’s a wonderful symmetry about a necklace being Realized by Talonated Wmen in the Early 20th Century Talented Woman, Mary Shelley, ”Young Points Out. Like the Wade Necklace, this is the first time the scarab design have been used in a film.

Among Other Tiffany & Co. Designs Seen in the Production, The House Also Crafted A Pocket Watch Worng by Charles Dance, Who Plays Leopold, The Facher of Oscar Isaac’s Victor Frankenstein. “IT’S NOT ARCHIVE PIECE; INTEAD IT’S RECREATION OF A 19th-Century Design, Execuceded FaithFully in Gold,“ Young Says. “BUT THERE WAS AN EXISTING FRANKENSEIN Crest, and We Had that Engraved Onto the Watch To Add to It Authenticity.”

Both Del Toro and Young Seem Equal Parts Amused and Understanding of the Additional MeASures Required by Tiffany & Co.’s Participation in Frankenstein. “We have more secularity for the tiffany pieces for many of the stars of the Film,” the Director Jokes in a Just-Released Featurette about the Collaboration.

“The Jewelry Had Its Own Trailer,“ Young Adds To Thr.

Now Those Jewels Grace The Flagsip’s Fifth Avenue Windows in Yet Another Collaboration. Del Toro Lent Some of the Miniatures He Oversaw for Frankenstein‘S Production Design to Be Used As Window-Display Backdrops for Both the Jewels Seen in the Film and Related Modern Designs. The Jewelry House Describes The Window Design As An Immersive Experience Featuring Digital and Lighting Elements Interspersed with Animation and The Film Score by Alexandre. On 2017’s The Shape of Water. The best time to View the Windows? After 7 PM, Young Recommends, WHEN The Various Elements Combine to Create An Experience That Celebrates the Film and Is Shown at 10-Minute Intervals.

Young Says the Director Expressed An Interest in Creating Something for The Windows Early in the Filming. “Guillermo is a very tactile artist, and we always Think of Our Windows as a sort of Street Theater,“ He Explands. “IT WAS HIS IDEA TO CREATE THESE SCENES AND This Experience in the Windows, Using Someiatates Created For The Film’s Special Effects, Because He’s An Artist And A True Storyteller.

The Tiffany & Co. Windows Highlighting Frankenstein Are Open for Viewing Through November 3 at 727 FIFTH Avenue in New York, While a Second Window Exhibration Will Be on Display at Selfridges London from 9.